#Martin mpc record focus palette full
The CMY color mixing and six-slot color wheel provide numerous blending options, while static and rotating gobos, as well as full stage framing blades with +/- 60° rotation, make the ERA adaptable to any production. We wanted to make sure the line sets were even in rows that fit onstage to allow for a fun look or a general overhead wash look.”Įight Martin ERA 800 Performance LED profile fixtures were installed in a V-shape pointing upstage for wide washes, powerful beams, and eclectic patterns. It’s great to have the option to provide movement. “We placed them on most of our electric line sets to give an even wash and also because they can zoom in really well. “The Auras are our main wash,” explained Robyn Allemand, technical coordinator, The Parker. Featuring a broad RBGY color spectrum and eye-candy Aura effects, the MAC Aura combines multicolor beam LEDs with a backlight LED array to generate deep washes, subtle shades, and more. The main component of the new lighting setup is the Martin MAC Aura single-lens wash light, with 16 on electric line sets and four on a motorized truss. designed The Parker’s lighting system featuring Martin ERA 800, MAC Aura, and ELP CL lights.
The Stage Equipment & Lighting (SEAL) division of Pro Sound Inc. Nine times out of 10, d&b is on every rider as the first choice, so we wanted to provide the first choice.”
“The goal was to put a system in place that would meet any rider’s requirement. “The choice of the d&b V-Series system was easy for us,” explained Anton Foresta, head engineer for The Parker and director of production – affiliated venues. The three-way passive V-Series comprises both line array and point source systems for medium to large-scale sound reinforcement applications, with complete efficiency and broadband directivity control to low frequencies.